Me protegge, me difende Vincenzo Bellini. Il Trovatore, opera. Di quella pira Giuseppe Verdi. Aida, opera. Celeste Aida Giuseppe Verdi. Pur ti riveggo, mia dolce Aida Giuseppe Verdi.
Cavalleria rusticana, opera melodramma in 1 act. Viva il vino spumeggiante Pietro Mascagni. Pagliacci, opera. Vesti la giubba Ruggero Leoncavallo. No, Pagliaccio non son Ruggero Leoncavallo. Credo a una possanza arcana Umberto Giordano. Vicino a te Umberto Giordano. Manon Lescaut, opera. Donna non vidi mai Giacomo Puccini.
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Cavalleria Rusticana. Mamma Pietro Mascagni. Vedi, iko piango Umberto Giordano. Madama Butterfly. Addio, fiorito asil Giacomo Puccini. Adriana Lecouvreur. La fanciulla del West. Or son sei mesi Giacomo Puccini. Improvviso Umberto Giordano. Amor ti vieta Umberto Giordano. Se Franz dicesse il vero Pietro Mascagni. Vesti la giubba Ruggero Leoncavallo. Celeste Aida Giuseppe Verdi. Pur ti riveggo, mia dolce Aida Giuseppe Verdi.
La fatal pietra sovra me si chiuse Giuseppe Verdi. A te, o cara Vincenzo Bellini. Meco all'altar di Venere Vincenzo Bellini. While singing at the Rome Opera, Corelli also made numerous appearances with other opera houses both in Italy and internationally. He made his first appearance at La Scala in Milan in , as Licinio in Spontini 's La vestale opposite Callas's Giulia for the opening of the — season. He returned several more times to that house over the next five years, singing opposite Callas in productions of Fedora , Il pirata and Poliuto Among the many triumphs of the decade for Corelli were two highly celebrated performances at the Teatro di San Carlo in Naples , a appearance as Don Alvaro in La forza del destino opposite Renata Tebaldi as Leonora and a performance of Maurizio in Adriana Lecouvreur opposite Magda Olivero in the title role.
During his early career, Corelli sang in a number of rare operas in which he triumphed including performances of Spontini 's Agnes von Hohenstaufen in its Italian version, Agnese di Hohenstaufen, Handel 's Giulio Cesare and Hercules , Prokofiev's War and Peace , and the world premiere of Guido Guerrini 's Enea. In Corelli met soprano Loretta di Lelio when she came backstage after one of his performances at the Rome Opera House to get his autograph.
They began seeing each other romantically and married in After their marriage, Loretta gave up her fledgling opera career to serve as her husband's business manager, secretary, public relations agent, cook, and English translator. Their marriage endured until Corelli's death forty-five years later. Corelli made his debut at New York 's Metropolitan Opera on 27 January as Manrico in Il trovatore , opposite soprano Leontyne Price as Leonora who was also making her house debut at the Met that evening.
He sang at a number of historic nights at the Met including: the closing gala at the old Met, the concert honoring Sir Rudolf Bing 's retirement, and Callas's legendary comeback Tosca. However, Corelli did tour extensively with the Metropolitan Opera in , singing in performances in cities throughout the United States and in Japan.It is always a great pleasure hearing Franco Corelli singing, specially because he will never record again. Whatever we can find out recorded by him, studio or live performances, is wellcome. Once Franco Corelli stated that his live performances recording were far better than studio recording, which I absolutely agree with him/5(8).